Born 1970 in Seattle, Washington
Lives
in Los Angeles, California
Solo
Exhibitions
2024
Music Swims Back to Me, greengrassi, London
2021
Ghosts, greengrassi, London
2018
Currents
115: Jennifer Bornstein, St. Louis Art Museum, St.
Louis, Missouri
2017
Feminist
Archaeology, Johnson-Kulukundis Gallery, Radcliffe Institute, Harvard University
2016
New
Rubbing, Dvir Gallery, Tel Aviv
2015
New
Rubbings and Psychological Tests, Gavin Brown’s enterprise, New York
Two
Videos, Radcliffe Institute, Harvard University, Cambridge, MA
2014
Experimental
Print Project, Gavin Brown’s enterprise, New York
Lansdowne Rise, Rise Projects, London
2013
New
Waves, greengrassi, London
New Waves, Kunstverein Lüneburg and
Kunstraum Tosterglope, Germany
2012
New
Waves, DAAD Gallerie, Berlin
2011
Frauenkörperbewegungsbilder, Stedelijk Museum, Amsterdam
Frauenkörperbewegungsbilder, greengrassi, London
2009
Evergreen
and Phantom Limb, Gavin Brown's enterprise, New York
Fargfabriken
Center for Contemporary Art, Stockholm
2006
Gavin Brown’s enterprise, New York
greengrassi,
London
2005
MOCA
Focus: Jennifer Bornstein, Museum of Contemporary
Art, Los Angeles (cat.)
2003
greengrassi,
London
2002
Celestial
Spectacular, Blum & Poe, Los
Angeles
1999
Untitled
Sculpture, Blum & Poe, Los Angeles
1998
Public
Libraries and Basketball Courts, greengrassi, London
Public
Libraries and Basketball Courts, Jay
Gorney Modern Art, New York
1997
Projector
Stand #3, Studio Guenzani, Milan
Group Exhibitions
2024
Fragments of Memory, The Menil Collection,
Houston, Texas
Out of the Ordinary: Uncommon Materials,
Marks, and Matrices, Hammer Museum, Los Angeles
When Image Processing
Became Painting, Miguel Abreu Gallery,
New York, NY
2023
The last thing you see is the first, greengrassi, London, UK
That
They Are There, MassArt Brant Gallery, Boston, MA
Lapsus
Calami, Marlborough, London, UK
2022
Where Words Falter, Tang Museum,
Saratoga Springs, NY
2021
Houseguest: Shadows Fall
Down, Hammer Museum, Los
Angeles, organized by Monica
Majoli
Paris International, Paris, France, October 20-24, 2021: two-person exhibition with Moyra Dayvey; presented by greengrassi
2020
Je me
souviens, Dvir Gallery, Tel Aviv, Israel
Alien vs. Citizen,
Museum of Contemporary Art, Chicago
2019
Words, Converso Gallery, Milan
Museum of Modern Art and Western Antiquities, Section II- Department of
Carving and Modeling: Form and Volume, Cristina Guerra Gallery, Lisbon, Portugal
Condo, greengrassi, London (three-person exhibition with Jennifer Pastor, Moyra Davey, and Jennifer Bornstein)
2018
Klassentreffen, MUMOK Museum
Moderner Kunst Stiftung Ludwig, Vienna, Austria
2017
Foster
Prize Exhibition, Institute of Contemporary Art, Boston
99
Cents or Less, Museum
of Contemporary Art, Detroit; cat.
Tomorrow
Will Still Be Ours, Gavin Brown’s enterprise, New York
Eternal
Youth, Museum of Contemporary Art, Chicago
Placed
Someplace with Intent, Dvir Gallery, Tel Aviv
2016
On
Exactitude in Science, School of the Museum of Fine Arts, Boston; brochure
Routine Pleasures, MAK
Center for Art and Architecture, Los Angeles; cat.
Visiting
Faculty Exhibition, Carpenter Center for Visual Art, Harvard University, Cambridge, MA; brochure
Art
from Los Angeles 1990-2010, Studio Guenzani, Milan
2015
Apparitions: Frottages
and Rubbings from 1860 to Now, Hammer Museum, Los Angeles; Menil Collection,
Houston; cat. (cover)
Shibboleth,
Dvir Gallery, Tel Aviv
Visiting
Faculty Exhibition, Carpenter Center for Visual Art, Harvard University; brochure
2014
Whitney Biennial, Whitney Museum of American Art, New
York; cat.
Sleuthing
the Mind, Pratt Institute Manhattan Gallery, New York
Everyone
Has a Name, Dvir Gallery, Tel Aviv
A
Guest Without A Host is A Ghost, Kadist Art Foundation, Cairo, Egypt
Autodeconstruccion, organized by Abraham Cruzvillegas, Thomas Dane Gallery,
London
2013
Encore, Bonniers Konsthall,
Sweden
Artists’ Film Club, ICA, London
2012
Autoconßtrukschön, organized by Abraham Cruzvillegas, Arriata Beer, Berlin
Figure
Studies: Recent Representational Works on Paper, Contemporary Art Museum, St. Louis
La
Galeria de Comercio, Mexico City
2011
The Air We Breathe, Museum of Modern
Art, San Francisco; cat.
Recent
Acquisitions from The Grunwald Center for the Graphic Arts, Hammer Museum, Los Angeles (October
15, 2011
- January 15, 2012)
FAX, Carpenter
Center for the Visual Arts, Harvard University
The
Joy of Pleasure, VeneKlasen/Werner, Berlin; brochure
You
Don’t Love Me Anymore, Westfälischer Kunstverein, Münster
Art
Film, Art Basel
The
Object of Observation (Changes by Being Observed), Johnen Gallery, Berlin
Celestial
Spectacular, Night Gallery, Los Angeles
Ten
Women Who Use Film, organized by Jennifer Higgie, www.ubu.com
2010
How Many Billboards? MAK Center, Los Angeles; cat.
R
is for Replicant, CCA Wattis Institute for Contemporary Arts, San Francisco; cat.
At Home, Not at Home, Hessel Museum, Center
for Curatorial Studies, Bard College,
Annandale-on-Hudson, New York; cat.
Artists’
Cinema, Nottingham Contemporary
Home
and Away, Residence of the Ambassador of the United States to Germany, Berlin
Light,
Camera, Action: ABC (Film and Stage Program), Berlin (curated by Marc Glöde)
Etwas
Viele..., Galerie Niels Borch Jensen, Berlin
2009
Pulling from History: The Old Masters, Print Center, Philadelphia
Collecting
History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles
15th
Anniversary Inaugural Exhibition, Blum & Poe, Los Angeles
2008
Biennale d’art contemporain le Havre, Le Havre, France; cat.
Amateurs,CCA
Wattis Institute for Contemporary Art, San Francisco; cat.
Index:
Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles
50
Moons of Saturn, 2nd Torino Triennial, Italy; cat.
La
Petite Histoire, Kunstraum Niederösterreich, Vienna, Oct. 2-Nov. 29, 2008; cat.
2007
USA: American Video Art at the Beginning of the 3rd
Millennium, 2nd Moscow Biennale; cat..
La
Petite Histoire, Kunstraum Niederösterreich, Vienna, Oct. 2-Nov. 29, 2008; cat.
Uncertain
States of America, Herning Kunstmuseum, Denmark; Centre for Contemporary Art, Warsaw; La Musée de Sérignon, Serignan,
France; cat.
Radio
Daniele, Museo d’Arte Moderna di Bologna and Kunsthalle Zürich, organized by Christopher Williams and John
Kelsey
Personne
ne veut mourir, Arquebuse, Geneva
LA
Desire (Part 1), Galerie Dennis Kimmerich, Düsseldorf, curated by Wilhelm Schürmann
Mobile Museum, Latvian Center for Contemporary
Art, Riga, Latvia
Now
Your See It, CCS Bard Center for Curatorial Studies, Annandale-on-Hudson, NY
2006
Too Much Love, Angles Gallery, Santa Monica, California
Two
Friends and So On, Andrew Kreps Gallery, New York
Uncertain
States of America, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York; Serpentine Gallery, London; Reykjavik
Art Museum, Iceland; cat.
the
backroom: San Francisco, hosted by New Langton Arts/SF Camerawork, curated by Renaud Proch
2005
General Ideas: Rethinking Conceptual Art 1987–2005, CCA Wattis Institute for Contemporary Art, San Francisco; cat.
Two
Friends and So On, Andrew Kreps Gallery, New York
A
Walk to Remember, LACE, Los Angeles; brochure
Finkish
Dispositions, Rachmoninoff’s, London
2004
Let the Bullshit Run a Marathon, Nicole
Klagsbrun, New York
2003
Faking Real, Columbia University,
New York
Inaugural
Group Show, Blum and Poe, Los Angeles
Works
for Giovanni, China Art Objects, Los Angeles
2002
A Show That Shows That A Show Is Not Only A
Show, The
Project, Los Angeles; cat.
Artists
to Artists, Ace Gallery, New York; cat.
I
Just Can't Pretend, curated by Dan Torop, Derek Eller Gallery, New York
2001
Pandaemonium Biennial of Moving Images, Lux Gallery, Centre for Electronic Arts,
London
Face
On, Site Gallery, Sheffield; Milton Keynes Gallery, Milton Keynes; Photographic and Media Arts, Liverpool;
Stills Gallery, Edinburgh; cat.
A
Passion for Art: The Disaronno Originale Photography Collection, Museum of Contemporary
Art, Chicago; Miami Art Museum, Miami; UC Berkeley
Art Museum; New Museum of Contemporary Art, New York; cat.
Jennifer
Bornstein, Mark Grotjahn, Florian Maier-Aichen, Dave Muller, Blum and Poe, Santa Monica
2000
An Intelligent Pleasure, Site Gallery, London
Exit: International Artist-made Film and Video, Chisenhale, London
Greater
New York: New Art in New York Now, PS1, Long Island City, NY; cat.
Quiet,
359 Broadway, New York
Works
on Paper from Los Angeles, Studio Guenzani, Milan
Snapshot, Contemporary
Museum, Baltimore, MD; traveled to Aldrich Museum
of Contemporary Art, Ridgefield, CT, 2002
Collectors'
Choice, Exit Art, New York, 2000
As
I Love You, You Become More Pretty, Los Angeles
Drawings
and Photographs: An Exhibition to Benefit the Foundation for Contemporary Performance Arts, Matthew Marks,
New York
1999
Standing Still & Walking in Los Angeles,
Gagosian Gallery, Beverly Hills, California;
cat.
Etcetera,
Spacex Gallery, Exeter, UK, 1999
1998
Remix: Images Photographiques, Nantes Musee des
Beaux-Arts, Nantes, France; cat.
L.A.
Times,
Fondazione Sandretto Re Rebaudengo Per L’Arte, Guarene, Italy; cat.
Sightings:
New Photographic Art, ICA, London; cat.
Charles
Ray, Steve Doughton, Jennifer Bornstein, greengrassi, London
Fictional
Biographies, Rio Hondo Art Gallery, Los Angeles
1997
Her Eyes Are a Blue Million Miles, Malmø, Sweden, three-day
exhibition curated by Dave Muller;
brochure
Fictional
Biographies, Rio Hondo Art Gallery, Los Angeles
Exposition
de Jeunes Photographers Femmes, Anne de Villepoix, Paris
Vanessa
Beecroft, Jennifer Bornstein, Martin Kersels, Gillian Wearing, S.L. Simpson Gallery, Toronto
The
Name of the Place, Casey Kaplan, New York
1996
Making Pictures: Women and Photography, 1975–Now, Nicole Klagsbrun, New York
Hits
Series,
Teststrip, Auckland
LACE
Annuale, Los Angeles Contemporary Exhibitions, Los Angeles
Three
Day Weekend, P-House, Tokyo
Blum & Poe, Santa Monica
1996
MFA Thesis Exhibition, UCLA Wight Art
Gallery; cat.
Group Exhibition Catalogs and Book Publications
Becker, Hilary, ed. The Leroy Neiman Center for Print Studies: Twenty-Five Years of Collaborative Print Projects. West Haven, CT: Columbia University, 2021.
Birnbaum, Daniel, ed. Fifty Moons of Saturn: T2 Torino Triennale. Milan: Skira 2008.
Birnbaum, Daniel, Gunnar B. Kvaran, and Hans Ulrich Obrist, eds. Uncertain States of America: American Art in the 3rd Millennium. Exh. cat. Oslo: Astrup Fearnley museet for moderne kunst, 2005.
Birnbaum, Daniel, Gunnar B. Kvaran, and Hans Ulrich Obrist, eds. USA: American Video Art at the Beginning of the 3rd Millennium. Exh. cat. Moscow: Moscow Biennale, 2007.
Bonami, Francesco. L.A. Times: Arte da Los Angeles nella collezione Re Rebaudengo Sandretto. Exh. cat. Rivoli, Italy: Neos, 1998.
Bonvicini, Gianni. La Petite Histoire. Exh. cat. Vienna: Kunstraum Niederösterreich, 2008.
Catalog, 2nd Moscow Biennale of Contemporary Art, published by the Moscow Biennale, Russia, 2007, ills.
Comer, Stuart, Anthony Elms, and Michelle Grabner. Whitney Biennial 2014. Exh. cat. New York: Whitney Museum of American Art, 2014. Distributed by Yale University Press.
Cruz, Amada, ed. Calendar 2000. New York: Center for Curatorial Studies, Bard College, Annandale-on-Hudson, 2000.
Dawson, Tim and Simon Morrissey. Sightings: New Photographic Art.Exh. cat. London: Institute of Contemporary Arts, 1998.
DiQuinzo, Aspara, Eileen Myles, Martha Craven Nussbaum, and Frank Rich. The Air We Breathe: Artists and Poets Reflect on Marriage Equality.Exh. cat. San Francisco: San Francisco Museum of Modern Art, 2011.
Durden, Mark, Ian Hunt, Joanna Lowry, and Craig Richardson. Face On: Photography as Social Exchange. Exh. cat. Milton Keynes, England: Milton Keynes Gallery; Liverpool, Photographic and Media Arts: and Edinburgh: Stills Gallery, 2001.
Gioni, Massimiliano, ed.Get Lost: Artists Map Downtown New York. Newspaper. New York: New Museum, 2007.
Greater New York: New Art in New York Now. Exh. cat. Long Island City, New York: PS1 Contemporary Art Center, 2000.
Higgs, Matthew. General Ideas: Rethinking Conceptual Art 1987–2005. Exh. pamphlet. San Francisco: CCA Wattis Institute for Contemporary Arts, 2005.
Higgs, Matthew, and Bob Nickas. At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg. Exh. cat. New York: Center for Curatorial Studies, 2010.
Hoffmann, Jens. Museum of Modern Art and Western Antiquities, Section II
Department of Carving and Modeling: Form and Volume.Exh. brochure. Group show at Cristina Guerra Gallery, Lisbon, Portugal, 2019.
Hoffmann, Jens. A Show That Shows That A Show Is Not Only A Show. Exh. cat. Los Angeles: The Project, 2002.
Hoffman, Jens, and Joan Jonas. Perform (Art Works). New York: Thames and Hudson, 2005.
Hoffmann, Jens. A Walk to Remember. Exh. cat. Frankfurt am Main, Germany: Revolver, 2006. Distributed by Thames and Hudson.
Hoffmann, Jens. A Walk to Remember. Exh. brochure. Los Angeles: LACE, 2005.
Hoffmann, Jens. Golden Gate: A Portfolio of 10 Photographs Curated by Jens Hoffmann. Pamphlet. Baer Ridgeway Exhibitions, 2008.
Hoffmann, Jens, ed. 99 Cents or Less. Exh. Cat. Detroit: The Museum of Contemporary Art Detroit, 2018.
Hoffmann, Jens. Museum of Modern Art and Western Antiquities, Section II
Department of Carving and Modeling: Form and Volume. Exh. cat. Cristina Guerra Gallery, Lisbon, Portugal, 2019.
Keegan, Matt and Greenberger Rafferty, Sarah. Conversation with Jennifer Bornstein and Jonathan Horowitz, North Drive Press #4, Nov. 2007
Kiendl, Anthony, ed. Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation. Banff Centre: 2004.
Mir, Aleksandra, ed. Happy Birthday! Newspaper. New York: Sept. 11, 2002.
Myers, Terry R. Standing Still & Walking in Los Angeles. Exh. cat. Beverly Hills, CA: Gagosian Gallery, 1999.
Morrisey, Simon, and Arielle Pelenc. Remix: Images photographiques. Exh. cat. Nantes, France: Musée Des Beaux Art De Nantes, 1998.
Morrissey, Simon (ed.)Sightings: New Photographic Art. Exh. cat. Institute of Contemporary Arts, London, United Kingdom.
Muller, Dave. Her Eyes Are a Blue Million Miles. Exh. pamphlet. Los Angeles: 1997.
Myers, Terry R. Standing Still & Walking in Los Angeles.Exh. cat. Beverly Hills, CA: Gagosian Gallery, 1999.
Ned Holte, Michael, ed. Routine Pleasures. Exh. cat. Los Angeles: MAK Center for Art and Architecture, 2016.
Noever, Peter, and Kimberli Meyer, eds. How Many Billboards? Art in Stead. Exh. cat. Los Angeles: MAK Center for Art and Architecture, 2010.
Pesenti, Allegra. Apparitions. Exh. cat. New Haven: Yale University Press, Hammer Museum, Los Angeles and The Menil Collection, Houston, 2015. (Cover.)
Roberts, Jennifer. Contact: The Art of the Print. Princeton: Princeton University Press, 2024.
Rugoff, Ralph. Amateurs. Exh. cat. San Francisco: CCA Wattis Institute for Contemporary Arts, 2008.
Saltz, Jerry. An Ideal Syllabus. London: Frieze, 1998.
Subotnik, Ali, and Cattelan, Maurizio, eds. Charley #1, Dijon: Les Presses du Réel, 2002, p. 225.
Van Elk, Ger, ed. Biennale d´art contemporain le Havre. Exh. cat. Le Havre, France: Petite Presse, 2008.
Selected Press
Coverage
2024
Brooks, Jacob Patrick. An Instructive Ouroboros at Miguel Abreu, Two Coats of Paint, February 25,
2024.
2022
LaBarge, Emily. Jennifer Bornstein at greengrassi, London. Artforum, January
2022.
2020
Di Marino, Vincenzo. Museum of Modern Art and Western
Antiquities, Section II
Department of Carving and Modeling: Form and Volume, Contemporânea Magazine,
Lisbon. Ed. 10-11-12, 2019.
2017
Hampton,
Chris. In Detroit, Artists Explore the
Riches of the 99-Cent Store, New
York Times, June 29, 2017, p. C1.
Harrington,
Leah. A Whole Culture: The
Institute of Contemporary Art, Boston's
2017 Foster Prize, The Brooklyn Rail, April 1, 2017.
Martinique,
Elena. 99c or Less - MOCAD Detroit
Gathers 99 Artists Tackling Consumerism. Widewalls, May 16, 2017.
Mayo,
Hugh A. Three New Exhibitions at the ICA
Balance Loss and New Beginnings, Harvard Crimson, Feb. 21, 2017
McQuaid,
Cate. At the ICA, Two Shows that Embrace the
Body in Many Forms, Boston Globe,
Feb. 24, 2017.
Eine einmalige Bedrohung, Monopol
Magazine, March 2017. (Cover project)
Watlington,
Emily. The 2017 James and Audrey Foster
Prize Exhibition, Art Papers,
July 2017, pp. 68-69.
2016
Baker, Sarah. 'On Exactitude in Science' at The School of the
Museum of Fine
Arts, Boston, Art New England, March/April 2016, ill.
Campanaro, Pam. Review: On Exactitude in Science, Big Red and
Shiny, 2016,
ill.
Everling, Connie. Four Artists Explore “On Exactitude in Science,” Huntington News,
2016, ill.
McQuaid, Cate. 'On Exactitude in Science’ Traces History,
Loss, Conflict, Boston
Globe, February 9, 2016, ill.
Shanahan, Mark. ICA Names Foster Prize Winners, Boston
Globe, July 29, 2016.
2015
Carell, Anais. Jennifer
Bornstein’s “Two Videos” Presents An Artistic Evolution,
Harvard Crimson, March 10, 2015, ill.
Glentzer, Molly. Drawing's Ghosts Emerge in Surprising Ways, Houston Chronicle,
October 2, 2015, ill.
Knight, Christopher. 'Apparitions' at the Hammer Explores Low-Tech Art in a High-Tech World', LA
Times, Feb. 23, 2015, ill.
McCloud, Grace, Space Invaders: Rise Projects Uses Colour and Creativity to Take Over Notting Hill,” Wallpaper,
May 20, 2015, ills.
Sanders, Mark,
Reeves, Emma, and Wakefield, Neville.Another Magazine Another
Dollar Bill Project, Rizzoli, 2015, ill. (Reprint.)
Wang, Rae. Jennifer Bornstein “New Rubbing and
Psychological Tests” at Gavin
Brown’s Enterprise, Art Observed, November 29, 2015, ills.
2014
Carrier, David. Jennifer Bornstein, Judith Bernstein, and
Frances Stark. The Brooklyn
Rail, May 6, 2014, ill..
Scott,
Jill, “Sleuthing The Mind,” Leonardo, vol. 47, No. 5, 2014.
Gardner, Ralph Jr. A Moving Ode to the Whitney. The Wall
Street Journal, May
4, 2014.
Maine,
Stephen. The Party Rolls Along: Whitney
Biennial. Artillery, May 6, 2014.
Malick,
Courtney. Review: The Whitney Biennial,
2014, SFAQ International Arts
and Culture, March 20, 2014, ill.
Viveros-Faune,
Christian. Why This Year's Whitney Biennial Should Be See Through
a (Slightly) Rose-Colored Lens. The Village Voice, March 19, 2014.
Wilson-Goldie,
Kaelen. The Stories They Need, Frieze no. 166, October 2014,
pp. 204-211, ill.
2013
Actual Size (Organized by Jonathan Monk). Annual Magazine, p. 99, 2013, ill.
Vasey,
George. Jennifer Bornstein, New Waves at greengrassi, 2013, ill, https:// georgegvasey.wordpress.com.
2012
Fischer,
Berit. The Potential of Imagination,BE #19, Künstlerhaus Bethanien, pp. 26-27, ill.
Rieger, Birgit. Ausstellung: Jennifer Bornstein, Der
Tagesspiegel, p. 8, April 19-25, 2012, ill.
2010
Grant,
Catherine. The Performance Space of the
Photograph: From "The Anti-Photographers" to "The Directorial
Mode," Rebus, Spring 2010, Issue 5, ills.
2009
O’Neil-Butler, Lauren,Critic’s Picks: Jennifer Bornstein,
Artforum.com, April 14, 2009, ill.
Bornstein, Jennifer. The Artists’ Artists, Artforum,
December 2009, p. 88.
Lappalainen, Lars Erik
Hjertstrom. Fargfabriken, Stockholm: Jennifer
Bornstein. March 11, 2009, Konsten.net, ill.
2008
Ybarra, Michael. Queen for a Day at the Hammer, LA
Times, June 11, 2008, p. E4.
Baker, Kenneth, A Bunch of Amateurs, The San Francisco
Chronicle, May 25, 2008, p. E8.
Myers, Jullian. Amateurs, Frieze, September 2008,
p. 78.
Vogel, Traci, My Kid Could Make That, SF Weekly,
May 14-20, 2008, p. 33.
2007
Baum,
Rachel. Jennifer Bornstein: Affinity
Aesthetics. Afterall #15,
Spring/Summer 2007, pp. 53-61, ills.
Steiner, Shep.
Jennifer Bornstein: Prohibitions…Props…Performatives:
Surefire (and Other) Ways to Do Away with Property. Afterall #15, Spring/Summer 2007, pp.
63-70, ills.
Banai, Nuit. Jennifer
Bornstein, Gavin Brown's Enterprise. Modern Painters, February 2007,
p. 93, ill.
Kleinberg, Joanna. Jennifer
Bornstein, Gavin Brown's Enterprise. frieze, March 2007, p. 197,
ill.
2006
Campagnola, Sonia. Focus on Los Angeles. Flash Art, January/February 2006, p.
68, ill.
Leventis,
Andreas, “Jennifer Bornstein,” Modern Painters, June 2006, pp 117-118,
ill.
Coggins,
David, “Jennifer Bornstein,” Art in America, p. 221, November 2006, ill.
Smith,
Roberta. Jennifer Bornstein at Gavin
Brown’s Enterprise, New York Times, November 10, 2006, p. B36.
Speers-Meers,
Emily. Jennifer Bornstein, Artforum, October 2006, pp. 280-281,
ill.
Artists' Picks: Jennifer Bornstein,
Best of 2006, Artforum December 2006, p. 76.
Reynolds,
Christopher. Collectors' Additions, Los
Angeles Times, Dec. 24, 2006, p. F1, ill.
Smith,
Roberta. Endgame Rules: Borrow, Sample, Multiply,
Repeat, New York Times, July 7, 2006, pp. B23-B27.
Smith,
Roberta. Chelsea is a Battlefield:
Galleries Muster Groups, New York Times, July 28, 2006, pp. B25-B31.
Saltz,
Jerry, A Two-Headed Butterfly Flaps its
Wings, Village Voice, July 6, 2006, p. 72
Schmerler,
Sarah, Two Friends and So On, Time
Out New York, July 20-26, 2006, p. 65
Smith,
Roberta, Endgame Rules: Borrow, Sample,
Multiply, Repeat, New York Times, July 7, 2006, p. B2.
2005
Kushner, Rachel. Talent
Show. C Magazine, November 2005,
pp. 115-117, ill.
Nunez-Fernandez, Lupe. Etch A Sketch. ArtReview,
November/December 2005, pp. 26-27, ill.
Greene, Josh and
Lovvorn Jen. General Ideas at Wattis
Institute at CCA, Shotgun Review, Nov. 22, 2005.
Wong, Genevieve, The Art of the Fall, Los Angeles
Downtown News, Sept. 12, 2005, pp. 14-15.
2003
Thomson, Mungo. Viva Baja, Afterall #7, 2003, pp.
36-39, ill.
Sanders, Mark, Reeves,
Emma, and Wakefield, Neville. The American
Dollar Bill, Another Magazine, Spring/Summer 2003, pp. 4-21, ill.
2002
Knight,
Christopher. Where Imagination Is the Special
Effect, Los Angeles Times, May 17 2002, pg. F26, ill.
Hainley, Bruce. Jennifer Bornstein. Artforum,
Summer 2002, p. 187, ill.
Smith, Roberta. "Artists
to Artists: A Decade of the Space Program," New York Times, May
4, 2002, p. E37.
2000
Corris, Michael. Face On, Art Monthly, October
2000, pp. 29-31.
Hoffman, Jens. Aperto Performance, Flash Art,
October 2000, pp. 49-51, ill.
Hoffberg, Judith. Documentation of Events That May Not Have Taken
Place, Umbrella
Magazine, May 2000, p. 20.
Saltz, Jerry. Greater Expectations: Greater New York, Village
Voice, March
14, 2000, p. 67.
1999
Cohen, Sande, and Gingeras,
Alison. The Problems of Historiographie,
Artpress,
May 1999, pp. 36-42.
Hainley, Bruce. Legend of the Fall, Artforum,
March 1999, pp. 56-63.
Morrissey, Simon. What's in a Lie?, Contemporary Visual
Arts, Issue 22, May
1999, pp. 34-39, ills.
Slyce, John. Women Photographing Women, Creative
Camera #359, Aug./Sept.
1999, pp. 18-25
1998
Ayerza, Josephina. To Resume Again…., Lacanian Ink #13,
pp. 10-11 (ills.)
Brittain, David. Jennifer Bornstein, Creative Camera,
February/March 1998,
pp. 20 - 27 & cover.
Durden, Mark. Sightings: New Photographic Art, Art
Monthly, March 1998, pp.
30-32.
Halle, Howard. Next Wave: Four Emerging Photographers, On
Paper, March/April
1998, pp. 32-37, ills.
Herbert, Martin. Jennifer Bornstein, Time Out/London,
February 16, 1998, p.
47, ill.
McKenna, Max. NY Diary: Jennifer Bornstein, The Art
Newspaper, March 1998,
p. 59.
Morrissey, Simon. Jennifer Bornstein, Contemporary
Visual Arts, Issue 18, 1998,
p. 79, ill.
Saltz, Jerry. Jennifer Bornstein, Time Out New York,
March 5-12, 1998, p. 45,
ill.
Volk, Gregory. Jennifer Bornstein, Art in America,
November 1998, p. 82, ill.
1997
Cotter,
Holland. The Name of the Place, The
New York Times, January 31, 1997, p. C28.
Ferguson, Russell. Project: Jennifer Bornstein, Art/Text, May-July 1997, pp. 46-51.
Frankel, David. The Name of the Place, Artforum,
May 1997, pp. 104.
Knight, Christopher. Right Here, Right Now: The Case for LA Art,
Los Angeles Times, Sunday Calendar, May 18, 1997, pg. 1, 4-5, 52, ills.
Ollier, Brigitte. Flash: Photo A Cahors, La Liberation, June 12, 1997, pp. 29-30.
Rodney, Lee. Vanessa Beecroft, Jennifer Bornstein, Martin
Kersels, Gillian Wearing, Eye Magazine, September-November 1997, pp.
54. *Not available for file
Schorr, Collier. A Pose is a Pose is a Pose: Fashion and Art
and Fashion, Frieze, May
1997, pp. 60-65.
Saltz, Jerry. The Name of the Place, Time Out New
York, February 6, 1997, pp. 42.
Cooper, Dennis. On Tots and Toys, Artforum,
January 1997, pp. 12-14.
1996
Kandel, Susan. LACE Annuale Rises Above Its History, Los
Angeles Times, October 17, 1996, pg. F13.
Public Collections
Centre Georges Pompidou, Paris
Frac des Pays de la Loire, Nantes
UCLA Hammer Museum, Los Angeles
Harvard Art Museums, Cambridge, Massachusetts
Henry Art Gallery, Seattle
Israel Museum, Tel Aviv
Menil Collection, Houston
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, Los Angeles
New School University, New York
Orange County Museum of Art, Newport Beach
Stedelijk Museum, Amsterdam
Tang Museum Collection, Saratoga Springs, New York
Awards, Fellowships, Artist Residencies and Studio Grants
2023
Harvard Radcliffe Summer Residency (July)
2021
Artist Relief
Unrestricted Covid-19 Grant. Issued jointly by the Academy of American Poets, Artadia, Creative
Capital, Foundation for Contemporary Arts, MAP
Fund, YoungArts, United States Artists, Andrew W. Mellon Foundation, and the Robert
Rauschenberg Foundation.
2017-18
Artist Residency, LeRoy Neiman Print Center, Columbia University, New York
2017
Freund Fellowship,
Washington University, St. Louis
2017
Foster Prize, Institute of Contemporary Art, Boston
2017
Hammer Museum Residency, Los
Angeles
2014-17
Film Study Center Fellow, Harvard
University
2014-15
Radcliffe Fellowship, Harvard University
2011-13
Artist in Residence, Künstlerhaus
Bethanien
2010-11
DAAD Berliner Künstlerprogramm
2008
Pollock-Krasner Foundation Award
2007
Adolph and Esther Gottlieb Foundation
Emergency Assistance Grant
2000
Elizabeth Foundation Subsidized Studio
Assistance Grant, New York
1999
Marie
Walshe Sharp Space Foundation, New York
1999
Delfina Trust Residency, London
1997
Rema Hort Mann Foundation Award,
New York
1996
Art Council Award, University of California,
Los Angeles
1995
Hortense Fishbaugh Scholarship,
University of California, Los Angeles
1993-4
Regents Scholarship, University of California,
Los Angeles
1992
Tooms Art Award, University of
California, Berkeley
Curatorial Projects and Research Collaborations
2019
Printmaking Roundtable, Accelerator
Workshop. Sept. 25-27, 2019 at the Radcliffe Institute,
Harvard University (co-organized with Matt Saunders)
2017
The Material Echo: Expanded Printmaking,
Exploratory Seminar. April 13-14, 2017
at the Radcliffe Institute, Harvard University (co-organized with Matt Saunders)
2015
Feminist
Ephemera Collection (single reading room vitrine). Schlesinger Library, Harvard University
2008
Jennifer
Bornstein Selects from the Grunwald Collection. Hammer Museum, Los Angeles; brochure
Invited Lectures, Public Conversations and Visiting Critic Presentations
2024
California State University, Department of Art & Art History Visiting Artist Lecture Series
2023
Brant Gallery, Massachusetts College of Art and Design, Boston
Kunstakademie Düsseldorf, Germany, Conversation with Christopher Williams
2021
UC Riverside Art
Department, Invited Lecture and Studio Visits
X-TRA Art Journal Winter Launch Event, Conversation with Neha Choksi, Nic Kay, Georgia Lassner,
and Jennifer Bornstein
2020
Lewis and Clark
College, Invited Lecture and Studio Visits, Art Department, Portland, Oregon
UCLA Art Department of Art, Visiting
Artist in Drawing 1A, Art Department, Los Angeles
Harvard University, Invited lecture
in HAA179P, History of Art and Architecture, Cambridge
2019
Harvard University,
Visiting artist in AFVS 215, Art Film
and Visual Studies, Cambridge
2018
Book release and public conversation for "Prints," Oct.
16, 2018, Gavin Brown’s enterprise, New York
Bard College,
Department of Art, Visiting Critic in Undergraduate Art Program
St. Louis Art Museum, St. Louis,
Missouri
Radcliffe Institute, Harvard University (Book
release and public conversation with Yukio
Lippit, Jennifer Roberts, and Meg Rotzel)
2017
Radcliffe
Institute, Harvard University, public conversation with Yukio Lippit and Jennifer Roberts
UCLA Department of Art, Visiting
Artist in Art / Drawing 1A, Los Angeles
Bard College Curatorial Studies
Program, Annandale on Hudson, NY
Washington University, St. Louis
Harvard University, Department of
Visual and Environmental Studies
Boston University, Boston, MA
University of Washington, Seattle
Institute of Contemporary Art,
Boston (Conversation with Rhea Anastas)
SUNY Purchase, New York
29th Harvard-Radcliffe
Women’s Leadership Conference; panelist
2016
Fine Arts Work Center, Provincetown, MA
School of the Museum
of Fine Arts, Printmaking Department, Boston
School of the Museum
of Fine Arts, MFA Program, Boston
Royal Institute of
Art, Stockholm
Kunsthochschule Kassel, Germany
DAAD, Berlin, Book launch and conversation
with Ariane Beyn
2015
Radcliffe
Institute, Harvard University
Harvard University, Department of
Visual and Environmental Studies
2013
Kunstakademie
Düsseldorf, Germany
2012
Harvard
University, Department of Visual and Environmental Studies
Kunstakademie Stuttgart, Germany
IDFA Documentary Film Festival, Amsterdam
(Conversation with Bart Rutten)
2010
Yale
University, Connecticut
2009
Royal
University College of Fine Arts, Stockholm
Konstfack/University College of Fine
Arts, Stockholm
2007
University
of Southern California, Los Angeles
2006
Otis
College, Los Angeles
University
of California, Riverside
2004
Columbia
University, New York City
2003
Otis
College, Los Angeles
CalArts,
Los Angeles
2002
LACE, Los
Angeles, Panel discussion with Morgan Fisher and Jens Hoffmann
2000
School of
Visual Arts, New York City
1999
CalArts,
Los Angeles
1998
Otis
College, Los Angeles
1997
University
of Connecticut, Stamford
Yale University, Connecticut - Photo
Department
Yale University, Connecticut -
Sculpture Department
Education
1997
Whitney
Independent Study Program, New York
1996
University
of California, Los Angeles, M.F.A.
1992
University
of California, Berkeley, B.A. in English and Art, cum laude, Phi Beta Kappa
1990
École
nationale supérieur des Beaux-Arts, Paris, class of Christian Boltanski
Current
Professor, University of California, Irvine, Department of Art – Photography
